‘Homecoming’ takes an insight into my life as a figure of representation of a young,
black female living in a 21st Century Black-British experience in Bristol. My maternal
family have helped me to navigate through the journey of living in Bristol with my
friends having accompanied me on this journey to understand what it means to be
black British in modern-day Britain.
I wanted to make comparisons in the experience that I have lived so far to the
experience my grandparents had lived when they migrated to England during the
Windrush Generation. Dating back centuries ago, treatment towards black people
residing in the city does not uphold the best history to its name, considering the
detrimental colonial past connected to it namely Bristol’s involvement in the
transatlantic slave trade to the Bristol Bus Boycott, the St Paul’s riots and the
occurrence of discrimination towards Black-Bristolians.
Alongside photographing family and childhood friends, I also retraced my maternal
family’s footsteps in the city, photographing the areas of St Pauls and Easton. St Pauls
and Easton were once home to many first generation Black-Brits residing in the city.
However, the symptoms of gentrification has recently started to affect these parts of
the city and the faces behind local businesses and residents in the neighbourhoods
have started to slowly fade from what it once was. I came to the realisation that the
areas that I had become familiar with my whole life had started to lose its appearance.
Khourie Allen is an analogue portrait photographer and photo-assistant based between London and Bristol. Her practice revolves around the topics of identity and society, exploring the relation between place and person. Outside of her practice, Khourie dips in and out of fashion photography being fascinated with the finer details of garments and materials.